Close pioneered large scale pixelated and gridded portrait compositions where recognizable faces emerge from abstract color modules at a distance, directly mirroring the optical resolution phenomenon at the heart of Lincoln in Dalivision. His systematic breakdown of the human face into geometric color cells shares the same conceptual and visual language as this specific Dalí print.

Ocampo specializes in metamorphic optical illusion paintings where figurative scenes and hidden portrait faces coexist within the same composition, requiring the viewer to shift perception to see different images simultaneously. This dual image strategy and the blending of nude figures into a larger recognizable portrait directly parallels the structural concept of Lincoln in Dalivision.

Silvers invented photomosaic art in which large recognizable portraits are constructed entirely from grids of smaller distinct images, creating the same distance dependent dual reading that defines Lincoln in Dalivision. His technique of embedding layered figurative content within a pixelated portrait structure is the closest contemporary parallel to this specific Dalí work.