Judd created large scale geometric steel and metal structures with strict angular forms and minimalist sensibility that closely mirror Smith's monumental abstract sculptures. Both artists shared a commitment to industrial materials, precise geometric abstraction, and the relationship between form and surrounding space.

Bladen produced monumental angular steel sculptures in black and dark tones that are among the closest parallels to Smith's work in terms of scale, geometry, and commanding physical presence. His large painted steel forms share the same architectural abstraction and imposing minimalist vocabulary found in Smith's iconic pieces.

Di Suvero creates large scale public steel sculptures with bold angular structures that engage space in ways directly comparable to Smith's geometric monumental works. Both artists transformed industrial steel into commanding abstract forms intended for outdoor public environments.