Hamilton similarly combined photographic imagery of classical figures and pop culture references using transfer techniques on reflective or industrial surfaces, creating layered compositions that juxtapose high culture with everyday visual material in a Neo-Dada spirit closely parallel to this ROCI piece.

Rosenquist worked at large format scales combining figurative imagery including the nude female form with industrial and architectural elements using acrylic on reflective surfaces, producing the same collision of classical beauty and industrial modernity seen in this stainless steel work.

Polke employed photographic transfer, wax, and experimental mixed media on unconventional metallic and industrial supports, layering classical and contemporary imagery with warm sienna tones against cool industrial grounds in a way that strongly echoes the material and compositional approach of this ROCI work.