Leigh creates monumental painted cast sculptures with totemic biomorphic forms that draw explicitly on African sculptural traditions and center Black female identity, sharing Davis's assertion of non Western artistic genealogy through abstracted figurative volumes.

Mutu works with interlocking biomorphic sculptural forms rendered in bold chromatic treatments that reference African artistic lineages while challenging Western canonical hierarchies, closely mirroring the totemic abstracted figuration and genealogical assertion in Davis's piece.

Gates produces large scale sculptural works with stacked totemic forms that reclaim and recontextualize pre Western cultural traditions as foundational artistic languages, sharing Davis's visual strategy of asserting non Western origins that predate and inform the Western canon.