Mondrian pioneered Neoplasticism, the exact movement Bolotowsky studied and embraced, creating compositions of precisely arranged rectangles divided by bold vertical and horizontal lines with a similarly restrained but vibrant palette. The black dividing lines and colored rectangular blocks in this piece directly echo Mondrian's iconic compositional language.

Diller was an American Neoplasticist and close contemporary of Bolotowsky who created nearly identical compositions featuring bold rectangular color fields separated by strong vertical and horizontal black structures. His work shares the same dynamic balance of colored geometric blocks against dark grounds that defines this specific painting.

Glarner developed his own form of Neoplasticism called Relational Painting, arranging rectangular color blocks including blues, yellows, pinks, and greys in carefully balanced geometric compositions that closely parallel the color choices and structural logic seen in this Bolotowsky work. His paintings share the same precise geometric vocabulary and harmonious multicolor palette.