A meticulously detailed 1969 painting of the inlaid wooden floor in Sylvia Plimack Mangold's New York City apartment and studio, a subject central to her early career. Working in acrylic on canvas, Mangold renders the grain, joinery, and shifting light of the floorboards with exacting precision, transforming a quiet domestic surface into a study of perception, perspective, and the slow attention of looking. The work belongs to a seminal body of floor paintings from the late 1960s and early 1970s in which Mangold used a familiar interior as a vehicle for investigating representation, illusionism, and the act of painting itself.