Nauman similarly combines neon lighting with video installations to create immersive environments that interrogate media, language, and American cultural experience. His large scale works using glowing neon text and multi channel video share the same sensory intensity and critical engagement with information and perception found in Electronic Superhighway.

Holzer creates monumental installations using LED displays and electronic signage to broadcast streams of text and imagery across architectural and geographic scales, directly echoing Paik's use of electronic media to map and comment on the flow of information across American public life.

Hill constructs multi channel video installations using arrays of monitors embedded in sculptural structures, exploring how electronic images and signals shape consciousness and communication in ways that closely parallel Paik's grid of televisions mapping the national electronic landscape.