![Paul Cézanne — Painter at Work (Justin Gabet?)
(Un peintre au travail [Justin
Gabet?])](https://rtwaymdozgnhgluydsys.supabase.co/storage/v1/object/public/artwork-images/297776D1-9389-40DB-A0AB-05AC0EA537B9/562FBEB2-E435-45AC-81FF-4B03AC0A7BF8/F74862DF-AD75-45AC-8F6D-0B5D47E97193.jpg)
Painter at Work (Justin Gabet?) (Un peintre au travail [Justin Gabet?])
1874
This painting by Paul Cézanne captures a figure, possibly Justin Gabet, engrossed in painting outdoors, reflecting Cézanne's dedication to capturing nature and the act of creation. The work showcases his distinctive early Impressionistic brushwork and a focus on form and light, making it a significant piece for collectors interested in the foundational stages of modern art. Its depiction of an artist at work offers a unique insight into the artistic process itself.
- Medium
- Oil paint on panel
- Location
- Denver Art Museum, Denver, CO
- Spotted At
- Museum · Denver Art MuseumView on map
Notes
This piece might be titled "Painter at Work (Justin Gabet?)", created in 1874
Est. Current Value
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Artists in conversation

Georges Braque
French · b. 1882

Braque directly built upon Cézanne's method of constructing form through modulated color patches and fractured planes, particularly in his landscapes and figure compositions that emphasize pictorial architecture over naturalistic representation. His work shares Cézanne's muted earthy palette, geometric simplification of nature, and the same tension between flatness and depth.
Roger de La Fresnaye
French · b. 1885
De La Fresnaye translated Cézanne's structured Post-Impressionist approach into figure and landscape compositions with similarly warm color harmonies, visible constructive brushwork, and a lyrical balance between natural settings and solid formal organization. His bathers and outdoor figure scenes particularly echo Cézanne's treatment of nude figures within forested environments.

Maurice Denis
French · b. 1870

Denis shared Cézanne's preoccupation with bathers, garden and forest settings, and the decorative organization of color across a flat picture surface, often painting groups of figures in verdant outdoor spaces rendered with deliberate structural rhythm. His Post-Impressionist palette of blues and greens in botanical and figure compositions closely parallels Cézanne's approach to the same subjects.
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