
Organza no. 3, Stinson Beach, CA, 2026
2026
This luminous archival pigment print by Thomas Jackson captures an iridescent organza fabric sculpture suspended mid flight above a verdant coastal hillside at Stinson Beach, California, with the Pacific Ocean and a pastel sunset sky filling the background. The translucent fabric catches and refracts light in shimmering blues, greens, and purples, creating an ethereal presence that seems simultaneously weightless and forceful against the natural landscape. Part of a strictly limited edition of only 3 plus 2 artist proofs in this monumental 59 by 79 inch format, the work exemplifies Jackson's signature practice of introducing ephemeral man made materials into expansive natural settings to reveal the tension and harmony between the artificial and the organic. Hand signed, titled, dated, and editioned on an artist label verso, this piece represents a rare opportunity to acquire one of Jackson's most commanding large scale photographic works.
- Medium
- Archival pigment print
- Dimensions
- Signed
- Yes
Notes
Available in four edition sizes: 20x27 in (Edition of 4), 30x40 in (Edition of 7 + 2AP), 48x64 in (Edition of 4 + 2AP), and 59x79 in (Edition of 3 + 2AP). The 59x79 in size is circled on the document, indicating this is the selected edition. Signature is hand-signed by artist via sticker label; signed, titled, dated, and editioned on artist label, verso.
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Rinus Van de Velde
Belgian · b. 1983

Van de Velde constructs elaborate fictional environments and staged scenes that blur the boundary between reality and fabrication, sharing Jackson's interest in meticulously constructed scenarios documented through a single definitive image. Both artists treat the construction process as integral to the work while the photograph or drawing becomes the lasting artifact.
Landschaft
German
Placeholder entry replaced below.
Daniel Firman
French · b. 1966
Firman creates installations featuring objects and figures arranged in ways that appear to defy gravity and physical logic, directly paralleling Jackson's swarms of objects suspended in impossible formations in natural settings. Both artists exploit scale and repetition to produce a sense of wonder and unreality within otherwise straightforward documentary imagery.
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