Organza no. 2, Stinson Beach, CA
2026
Thomas Jackson's Organza no. 2, Stinson Beach, CA is a striking archival pigment print from 2026 depicting billowing iridescent organza fabric suspended mid air above a lush coastal hillside at sunset, with the Pacific Ocean and a warm gradient sky filling the background. The translucent fabric catches and refracts the golden hour light, creating a luminous cloud of shifting color ranging from violet and cobalt to neon green and amber. This piece is part of a limited edition series and exemplifies Jackson's signature practice of constructing ephemeral outdoor installations that transform natural landscapes into sites of wonder. The circled 59 x 79 inch option on the listing document indicates this is the largest available edition, offered in an edition of 3 plus 2 artist proofs.
- Medium
- Archival pigment print
- Dimensions
- Signed
- Yes
Notes
The 59 x 79 in / Edition of 3 + 2AP size is circled on the listing document, indicating the buyer's interest in this specific edition size. Other available sizes: 20 x 27 in (Edition of 4), 30 x 40 in (Edition of 7 + 2AP), 48 x 64 in (Edition of 4 + 2AP). Signature method: hand-signed by artist via sticker label on verso, signed, titled, dated, and editioned on artist label. Part of a limited edition set.
Collectors of Thomas Jackson
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Rinus Van de Velde
Belgian · b. 1983
Van de Velde constructs elaborate fictional environments and staged scenes that blur the boundary between reality and fabrication, sharing Jackson's interest in meticulously constructed scenarios documented through a single definitive image. Both artists treat the construction process as integral to the work while the photograph or drawing becomes the lasting artifact.
Landschaft
German
Placeholder entry replaced below.
Daniel Firman
French · b. 1966
Firman creates installations featuring objects and figures arranged in ways that appear to defy gravity and physical logic, directly paralleling Jackson's swarms of objects suspended in impossible formations in natural settings. Both artists exploit scale and repetition to produce a sense of wonder and unreality within otherwise straightforward documentary imagery.
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