
Old Earth: Reactivation Sequence #5
2010
Old Earth: Reactivation Sequence #5 (2025 reactivation) is a vibrant techno-occult collage from the original Old Earth Objects transmedia system. It fuses youthful consumer promotion, corporate spectacle, and industrial symbols into a ritualistic vision that collapses the bright surface of late-capitalist advertising into something devotional and unsettling. This work reactivates the project’s core investigation into Techno-Occultism, Technological Macabre, Future-Primitivism, and ritual technology — exposing the hidden erotic, devotional, and occult energies latent within everyday branded objects and commercial spectacle.
- Medium
- Digital Collage / Documentation Relic, NFT (Ethereum)
- Signed
- Yes
- Condition
- Excellent
- Provenance
- Original concept by Iain Ball, late 2000s. Reactivated and minted 2025 as part of the Old Earth: Reactivation Sequence. Minted as a 1/1 ERC-721 NFT on Ethereum (contract: 0x1ad27c5339d95eb08ad16bfddbbbfef73f8fccba, Token ID: 5). Directly from the artist’s collection. Artist-retained since creation. Full on-chain provenance is publicly verifiable on Etherscan and OpenSea.
- Location
- Blockchain (Ethereum) + Arweave
Notes
This piece might be titled "Old Earth: Reactivation Sequence #5", created in 2010
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Artists in conversation
Winston Smith
American · b. 1952
Winston Smith creates cut and paste collages that transform consumer advertising and corporate imagery into subversive ritualistic compositions, sharing the same collapse of bright capitalist surfaces into something unsettling and devotional that defines this piece.
Brion Gysin
British · b. 1916
Gysin fused occult practice, industrial imagery, and pop culture fragments into works that function as techno mystical transmissions, directly paralleling the techno occult collage system and ritual technology themes embedded in this piece.
Genesis P-Orridge
British · b. 1950
Genesis P Orridge produced transmedia collage works that merged corporate spectacle, occult symbolism, and consumer culture into ritualistic visual systems, closely mirroring the Future Primitivism and Technological Macabre qualities central to this artwork.
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