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Guy Dill — "NOTES FROM THE CAMPUS GATES"
Guy Dill

"NOTES FROM THE CAMPUS GATES"

1992

"Notes from the Campus Gates," created in 1992, is a commanding large-format silkscreen by Guy Dill, realized in close collaboration with legendary master printer Richard Duardo. Measuring over ninety by one hundred twenty centimeters, the work carries the physical presence and graphic authority that Dill brought to his sculptural and two-dimensional practice throughout the 1990s. Printed by hand in a limited edition of eighty, each impression bears Dill's signature, affirming the direct connection between artist and object that collectors of works on paper rightly prize. Duardo's reputation as one of Los Angeles's most accomplished master printers adds a layer of provenance and craft to the edition, his technical rigor ensuring a consistency and depth across the run that elevates the work well beyond conventional reproduction. Dill emerged from the influential orbit of the Nova Scotia College of Art and Design and built a career grounded in formal investigation, with recurring interest in industrial materials, architectural memory, and the tension between structure and open space. Those preoccupations surface here in a composition that rewards sustained attention, balancing bold graphic elements with a subtler undercurrent of conceptual weight. The title itself carries a quiet intellectual charge, suggesting thresholds, transit, and the ideas that pass between institution and world. David Lawrence Gallery is among the publishers of this edition and is offering remaining impressions from its allocation. The work is priced at $3,200, consistent with pricing from Dill's own studio, making this an accessible point of entry into a serious and sustained career. It is offered unframed, allowing the collector to present it according to their own spatial sensibility.

Medium
Hand Printed Silkscreen under Master Printer Richard Duardo
Sheet
Signed
Yes

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Guy Dill, "NOTES FROM THE CAMPUS GATES" , 1992

"Notes from the Campus Gates," created in 1992, is a commanding large-format silkscreen by Guy Dill, realized in close collaboration with legendary master printer Richard Duardo. Measuring over ninety by one hundred twenty centimeters, the work carries the physical presence and graphic authority that Dill brought to his sculptural and two-dimensional practice throughout the 1990s. Printed by hand in a limited edition of eighty, each impression bears Dill's signature, affirming the direct connection between artist and object that collectors of works on paper rightly prize. Duardo's reputation as one of Los Angeles's most accomplished master printers adds a layer of provenance and craft to the edition, his technical rigor ensuring a consistency and depth across the run that elevates the work well beyond conventional reproduction. Dill emerged from the influential orbit of the Nova Scotia College of Art and Design and built a career grounded in formal investigation, with recurring interest in industrial materials, architectural memory, and the tension between structure and open space. Those preoccupations surface here in a composition that rewards sustained attention, balancing bold graphic elements with a subtler undercurrent of conceptual weight. The title itself carries a quiet intellectual charge, suggesting thresholds, transit, and the ideas that pass between institution and world. David Lawrence Gallery is among the publishers of this edition and is offering remaining impressions from its allocation. The work is priced at $3,200, consistent with pricing from Dill's own studio, making this an accessible point of entry into a serious and sustained career. It is offered unframed, allowing the collector to present it according to their own spatial sensibility.

Medium
Hand Printed Silkscreen under Master Printer Richard Duardo
Dimensions
sheet: 91.4 x 123.2 cm
Year
1992
Edition
of 80
Signed
Hand-signed by the artist
Seen at
David Lawrence Gallery

Related themes

Geometric, Living Artist, Mid-Career, Hand Printed, Conceptual, Architectural, American, Modernist, Industrial Materials, Structure and Space, Silkscreen, Screenprint, Black And White, Large Format, Limited Edition, Bold Graphic, Works On Paper, Minimalism, Contemporary, Abstract Composition

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Collected by

Jim Arnone