
Thomas Fuhs
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Artist Spotlight
Thomas Fuhs: Painting the World Anew
There is a particular kind of artist who arrives at the conversation not with a single knockout gesture but with an entire world already built, layer by layer, mark by mark, over years of sustained and serious looking. Thomas Fuhs is that kind of artist. The German painter and mixed media practitioner has been quietly assembling one of the more compelling bodies of work in contemporary European figuration, a practice that rewards close attention and grows richer the longer you spend inside it. As collectors and institutions across Europe and beyond sharpen their focus on painters who refuse… Continue reading
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Artists in conversation

Neo Rauch

Rauch similarly fuses figuration with dreamlike, layered compositions that draw on art historical and cultural references, creating a dense visual tension between narrative and abstraction that resonates closely with Fuhs's practice.

Marcel Dzama

Dzama shares Fuhs's integration of graphic drawing with figurative imagery and broad cultural references, producing compositions that blend immediacy of mark with layered conceptual depth.

Dana Schutz

Schutz works at a similar intersection of gestural abstraction and figuration, producing energetic and densely worked surfaces where representational forms emerge from and dissolve back into painterly mark making.
Artists who inspired them

Georg Baselitz

Baselitz's radical approach to German figuration and his willingness to destabilize pictorial convention through aggressive mark making provided a key precedent for Fuhs's own confrontational relationship between gesture and image.

A.R. Penck

Penck's integration of graphic sign systems and primitive figurative marks into painting directly informs Fuhs's layered visual language in which iconic and gestural elements coexist on equal footing.

Jean-Michel Basquiat

Basquiat's fusion of text, symbol, and raw figuration drawn from popular culture and art history offered Fuhs a model for weaving heterogeneous cultural references into densely layered and visually immediate compositions.