Lutter uses large format camera obscura photography to capture liminal industrial and architectural spaces with a quiet, contemplative stillness that closely mirrors Knot's investigation of place and psychological atmosphere. Her imagery shares the same slow, meditative observation of transitional environments and the emotional weight of landscape.

Esser creates large scale photographic landscapes that are deeply rooted in the European tradition of precise visual observation while evoking a melancholic, suspended sense of time and belonging, qualities that align directly with Knot's contemplative exploration of memory and place. His work similarly inhabits a quiet register between documentation and psychological interiority.

Dijkstra shares Knot's Dutch heritage of precise observation and applies it to explorations of identity, transitional states, and psychological vulnerability in her photographic and video work. Her practice engages the same liminal human and spatial conditions with a restrained, deeply considered visual language.