Frankenthaler's prints and paintings share Francis's signature use of pooling, dripping color on white grounds with a lyrical spontaneity. Her lithographs similarly feature vibrant chromatic bursts balanced against open white space in a gestural abstract idiom.

Mitchell's abstract works feature explosive clusters of vivid primary and secondary color marks radiating outward from energetic central compositions, closely mirroring the dynamic splatter and burst quality seen in this Francis lithograph. Her prints on paper also demonstrate the same balance of chromatic intensity against generous white negative space.

Jenkins created gestural abstract works built around flowing pours and pooling of vivid color on white grounds, producing compositions with circular and radial color forms strikingly similar to the central burst and circular elements in this Francis lithograph. His printmaking equally emphasized luminous color explosions anchored by fluid organic shapes.