Denny similarly fuses surveillance technology, corporate mythology, and digital infrastructure into archival and documentary artworks that critique the speculative energy of tech culture. His work shares the same interrogation of internet era figures and systems as symbolic relics of power and disruption.

Steyerl works at the intersection of speculative theory, surveillance systems, and digital materiality, producing hybrid documentary objects that function simultaneously as portals and detectors of cultural energy. Her practice mirrors this work's fusion of mythology, technology, and unstable elemental metaphor.

Paglen's practice centers on surveillance infrastructure, hidden technological systems, and speculative cartography rendered through archival and documentary forms. His interest in invisible networks and the material traces of technological power aligns closely with this work's blend of security systems and rare elemental mythology.