Bellmer constructed unsettling assemblages that fused body parts with mechanical and fetishistic objects into ritualistic imagery, directly paralleling Ball's cyborg figure and techno occult sensibility. Both artists treat the human form as a site of disturbing transformation and dark ceremonial meaning.

Chapman creates macabre sculptural and mixed media works that collapse consumer culture, corporate iconography, and body horror into dense apocalyptic tableaux, mirroring Ball's fusion of decaying Sony branding with fossil forms and obsolete technology. His work shares the same black humor and ritualistic disgust toward late capitalism.

His densely layered works combine archaic figuration with modern detritus and primitive symbolic systems to evoke a collapsed timeline between past and future, closely echoing Ball's Future Primitivism and the merging of fossil imagery with contemporary consumer objects. Both artists treat cultural artifacts as relics of a strange ritual archaeology.