McCracken created tall, monolithic geometric sculptures with sleek painted surfaces that share the same dark architectural presence and minimalist emphasis on singular form found in this Dill piece. Both artists worked with painted rigid materials to create objects that command space through verticality and clean geometric reduction.

Smith's painted geometric sculptures feature dark monolithic forms with strong architectural presence and deliberate negative space, closely mirroring the qualities seen in this Dill work. His use of bold dark color on rigid geometric volumes to create imposing yet refined sculptural objects parallels Dill's approach here.

Eversley's practice centers on precisely crafted geometric forms that explore the interplay between solid mass and void, sharing Dill's core concern with negative space and architectural stillness. His sculptures similarly use a restrained formal language to create objects with a commanding meditative presence.