A systematic and conceptual work by Gerhard Richter, *128 Fotos von einem Bild* (128 Photographs of a Picture) explores the relationship between painting and photography through serial repetition. Richter photographs a single painted surface across 128 iterations, interrogating notions of originality, reproduction, and the nature of the image itself. The work reflects his enduring preoccupation with the tension between representation and abstraction, collapsing the boundaries between mediums.