A neon-lit wooden frame constructed with a mirror and one-way mirror creates an illusion of infinite depth, drawing the viewer into a seemingly endless tunnel of glowing light. Navarro references the iconic Maracanã stadium through the work's circular, arena-like structure, evoking themes of mass gatherings, spectacle, and collective order. The electric energy powering the piece underscores the artist's recurring interest in the political implications of light, control, and power.