Anadol merges data driven digital structures with physical installation and archival documentation, closely paralleling Ball's approach of bridging hyperdimensional 3D geometry with printed material artifacts and environmental insertion. Both artists treat computational form as a living archive that crosses between digital and physical realms.

Van den Dorpel is a pioneering NFT and blockchain based artist who layers complex visual systems with conceptual archival logic, directly mirroring Ball's use of Ethereum NFTs as documentation relics alongside physical printed matter. His work similarly interrogates the ontological status of digital objects across multiple material formats.

Grossman specializes in translating complex mathematical polytopes and higher dimensional geometry into 3D printed sculptural objects, sharing Ball's core methodology of materializing abstract hyperdimensional forms through additive manufacturing. Her practice directly engages the same mathematical source vocabulary of polytope geometry used in this specific work.