Twombly similarly combined gestural linear marks with ink and fluid applications on canvas to evoke atmospheric and place based sensations rather than literal representation. His works share the same tension between precise drawn lines and broader painterly passages that characterize Adnan's approach to landscape abstraction.

Senju works with Japanese mineral pigments and ink to capture the atmospheric essence of natural environments, particularly coastal and elemental landscapes, using materials deeply rooted in Japanese artistic tradition. His abstracted environmental works share Adnan's use of culturally resonant Eastern materials to convey climatic and geographical mood.

Mitchell created gestural abstract works deeply tied to specific landscapes and her experience of French coastal environments, often working with layered marks that suggest atmospheric conditions without literal depiction. Her emotionally charged yet geographically anchored abstractions closely parallel Adnan's fusion of place, environment, and linear ink based gesture.