Harm van den Berg creates hyper dense digital collages that layer internet imagery, anime fragments, and web detritus into overwhelmingly saturated single compositions, directly mirroring Ball's approach of compressing online cultural residue into a fossilised frame.

Sassoon works with digital pattern and screen based imagery that evokes algorithmic decay and the visual language of early internet culture, sharing Ball's interest in the terminal aesthetics of digital systems collapsing under their own accumulated data.

Rafman assembles fragmented web imagery, alien entities, anime characters, and symbolic online artefacts into dense multimedia works exploring cultural oversaturation and the psychological residue of internet immersion, qualities that are central to Ball's Pathology Loop series.