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Mihail Lari

Collector

Byron Kim — Synecdoche
Byron Kim

Synecdoche

1991

Synecdoche is Byron Kim's landmark ongoing series begun in 1991, consisting of a grid of small monochrome oil-on-canvas panels, each painted to match the skin tone of a specific individual. The work on view comprises approximately 36 panels arranged in a 6×6 grid, presenting a nuanced spectrum of warm beige, tan, and deep brown tones that together function as both portraiture and abstraction. The piece engages directly with questions of race, identity, and representation by reducing each human subject to a single field of color, challenging the viewer to recognize the political charge embedded in what appears to be minimalist painting. Synecdoche is one of Kim's most celebrated and widely exhibited works, with versions held in major institutional collections including the Whitney Museum of American Art.

Medium
Oil

Notes

The installation appears to consist of approximately 36 individual panels arranged in a 6×6 grid. The work is an ongoing series — panels are continuously added. Notable institutional examples include the Whitney Museum of American Art. The diagonal light streak visible in the photo is an environmental reflection, not part of the work. An electrical outlet is visible below the work on the wall.

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About this work

Byron Kim, Synecdoche, 1991

Synecdoche is Byron Kim's landmark ongoing series begun in 1991, consisting of a grid of small monochrome oil-on-canvas panels, each painted to match the skin tone of a specific individual. The work on view comprises approximately 36 panels arranged in a 6×6 grid, presenting a nuanced spectrum of warm beige, tan, and deep brown tones that together function as both portraiture and abstraction. The piece engages directly with questions of race, identity, and representation by reducing each human subject to a single field of color, challenging the viewer to recognize the political charge embedded in what appears to be minimalist painting. Synecdoche is one of Kim's most celebrated and widely exhibited works, with versions held in major institutional collections including the Whitney Museum of American Art.

Medium
Oil
Year
1991

Related themes

Living Artist, Blue Chip, Political, Conceptual, American, Identity, Asian Artist, Large Format, Unique, Grid, Abstract, Painting, Minimalism, Contemporary

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Mihail Lari