Vasarely pioneered Op Art with geometric chromatic compositions that create optical illusions and perceptual shifts nearly identical to those in this ceramic work. His systematic exploration of colour interactions and viewer dependent visual transformation directly parallels Cruz-Diez's approach to autonomous colour phenomena.

As a fellow Venezuelan kinetic art master, Soto similarly investigated how colour and repeated geometric patterning could generate visual vibration and movement without physical motion. His works share the same chromatic band structures and optical pulsing quality visible in this enamel ceramic piece.

Riley's signature Op Art compositions use carefully arranged colour sequences and geometric repetition to produce perceptual instability and chromatic transformation, qualities that align directly with the shifting enamel bands in this Cruz-Diez ceramic. Her lifelong focus on colour as an experiential force independent of representational form mirrors the core intent of this specific work.