This vibrant mixed media work layers gestural mark making over a photographic base, creating a densely layered surface alive with color and texture. Fluorescent hues of green, purple, orange, and red intersect with gestural crayon marks and painted forms, obscuring and revealing the underlying image in equal measure. Harrison's practice engages with abstraction and figuration simultaneously, treating the artwork as a site of accumulation where different visual languages collide. The work reflects contemporary approaches to collage and digital reproduction, where printed imagery becomes a substrate for manual intervention. In its layered complexity and rejection of singular meaning, the piece exemplifies contemporary painting's dialogue with photography and printmaking.