This monumental sculpture presents a stylized ostrich rendered in boldly contrasting blue and orange acrylic paint applied to a constructed armature of wood, polystyrene, cardboard, and chicken wire. The figure's elongated neck curves upward in an elegant arc, while its blocky body sits grounded on stubby legs, topped with a small conical head. A cylindrical yellow metal paint can rests at the base, a literal reference to the work's title and a wry gesture toward the painting materials that animate the sculpture's surface. Harrison's characteristic approach combines humble, industrial materials with gestural abstraction, creating a witty dialogue between minimalist form and expressive surface. The work exemplifies contemporary sculpture's playful engagement with color, material contradiction, and the boundary between craft and fine art.