A vast expanse of muted, unprimed canvas is punctuated by a single gestural sweep of oil and mineral pigment, where dense, textured brushwork gradually dissolves into near-nothingness. Lee Ufan's restrained mark-making embodies his lifelong philosophical inquiry into presence and absence, inviting the viewer to contemplate the charged tension between the painted and unpainted. The work breathes with a quiet, elemental energy, as if the pigment itself has been moved by an invisible, passing force.