From Line, No. 790143

A single, deliberate brushstroke of mineral pigment traverses the canvas in Lee Ufan's meditative work, embodying the core principles of the Mono-ha movement through its quiet tension between presence and absence. The natural pigment gradually fades as it moves across the surface, capturing the precise moment where material and void enter into dialogue. This restrained gesture invites contemplative stillness, reflecting Ufan's philosophy that art exists in the relationship between the painted and unpainted, the made and the unmade.