Vierkant assembles digital collages that engage with internet culture, image circulation, and the residual artifacts of online visual language, mirroring Ball's use of web fragments and algorithmic decay as compositional material. Both artists treat the digital image as an unstable, mutable object shaped by networked oversaturation.

Rafman constructs immersive works from anime imagery, memes, and deep internet detritus to explore identity collapse and the psychic toll of terminally online culture, closely paralleling the thematic and material concerns of Pathology Loop. His practice similarly treats web content as archaeological fragments of a decaying digital civilization.

Van den Dorpel creates digital collage works assembled from heterogeneous online imagery and cultural noise, engaging with themes of algorithmic circulation and the fragmentation of meaning in hypersaturated visual environments. His pre AI era digital practice shares Ball's interest in networked culture as both medium and subject.