Signac was Seurat's closest collaborator in developing Pointillism and applied the same systematic division of color using small dots of pure pigment to depict leisurely outdoor scenes with figures and water. His works share the same scientific approach to light, vibrant chromatic harmony, and composed stillness found in La Grande Jatte.

Pissarro adopted the Pointillist technique during the 1880s and created monumental scenes of Parisians at leisure and in public spaces using the same meticulous dot based method and optical color mixing that defines La Grande Jatte. His Neo Impressionist period works share the same structured luminosity and carefully ordered compositions.

Cross was a leading Neo Impressionist who painted large scale scenes of figures enjoying leisure outdoors using Seurat's Pointillist method of applying distinct dots of color to build luminous atmospheric light. His works depicting bathers and park scenes along the Mediterranean share the same deliberate chromatic structure and tranquil compositional order as La Grande Jatte.