This untitled work from 1964 presents two circles divided by diagonal bands of sage green that traverse their blue fields. Executed in acrylic on canvas, the composition demonstrates the artist's engagement with geometric abstraction and color field painting. The circles, rendered with clean edges against a deep olive ground, establish a dialogue between form and color while the repeated diagonal motif creates visual rhythm across the canvas. The work exemplifies the systematic exploration of chromatic relationships and compositional balance characteristic of abstract painting in the early 1960s.