Louis worked extensively with saturated color washes on unprimed canvas during the same era, creating luminous color field paintings where pure hue becomes the primary expressive force, directly paralleling Avedisian's bold red abstraction.

Noland was a central figure in color field painting who used Magna and acrylic paints to build intense, optically vibrant compositions where a single dominant color commands the entire canvas surface, mirroring the chromatic intensity of this red Avedisian work.

Olitski created large scale color field paintings using acrylic paint that immerse the viewer in unified fields of saturated color, sharing Avedisian's commitment to Liquitex era acrylic application and the emotional power of bold uninterrupted color.