This monumental sculptural form presents an abstract, biomorphic shape rendered in deep charcoal black with a lustrous, almost organic surface finish. The work curves and twists dramatically in three dimensions, creating a dynamic interplay between positive form and negative space, with undulating edges that suggest both geological and corporeal references. Composed of mulberry paper, aluminum, and pigmented egg tempera, the sculpture demonstrates a material sophistication characteristic of contemporary abstract practice, merging traditional craft techniques with modernist sculptural language. The work's scale and commanding presence invite viewers to experience it as an immersive architectural intervention rather than a discrete object. Situated within the conceptual framework of the planchette exhibition, the work engages with abstraction's capacity to evoke meaning through pure formal manipulation and tactile surface variation.