This ceramic work presents an abstracted form composed of layered, organic shapes in contrasting colors: deep black, dusty mauve, and cream tones. The irregular, undulating surfaces suggest geological or biological processes, with visible glaze textures creating a tactile quality that emphasizes the material's plasticity. The composition appears to reference natural phenomena of compression and transformation, while maintaining an ambiguous relationship between representation and pure formal investigation. Within contemporary ceramics, Larner's practice bridges sculptural abstraction with material expressivity, continuing a lineage that treats clay as a vehicle for exploring complex spatial and temporal concepts rather than functional tradition.