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Rodolfo Aricò — Untitled
Rodolfo Aricò

Untitled

1973

Rodolfo Aricò's 1973 untitled work presents a compelling study in form, color, and surface. A striking lavender-hued trapezoidal shape dominates the composition, meticulously centered against a pristine white ground. The form itself is not uniformly flat but rendered with a subtle, granular texture, indicating the "mixed technique" employed. This tactile quality adds a layer of depth and visual intrigue, allowing the light to play across its surface. The larger shape is precisely bisected both horizontally and vertically by thin, dark lines, dividing it into four distinct quadrants, a testament to the artist's rigorous approach to geometric construction and spatial organization. The clean edges of the trapezoid and the precise internal divisions highlight a careful hand and a focused exploration of planar relationships. This work exemplifies Aricò's profound engagement with the principles of analytical painting and his persistent inquiry into the nature of the painted object. Rather than merely depicting, Aricò constructs, inviting viewers to consider the artwork as a physical presence and an autonomous structure. The choice of a singular, vibrant color, meticulously applied yet retaining a handmade quality, underscores his interest in the perceptual experience of color and its interaction with defined forms. The subtle variations in the paint's density, combined with the stark linearity of the grid, create a dynamic tension between the organic and the geometric, challenging conventional notions of illusionistic space. As a significant example from Aricò's output in the 1970s, a period marked by his deep exploration of form's psychological and spatial implications, this untitled piece offers collectors a quintessential representation of his mature style. Its intellectual rigor, coupled with its elegant aesthetic, makes it a powerful statement within the canon of post-war abstraction. The work's precise yet textured surface and its unwavering focus on fundamental visual elements resonate with the enduring concerns of minimalist and conceptual art, making it a valuable acquisition for any discerning collection.

Medium
Mixed technique on paper

🔨 Auction Lot

Martini Studio d'Arte: Modern & Contemporary Art (December 2018)

December 20, 2018

Estimate: €4,000 to €5,000

Lot 79

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About this work

Rodolfo Aricò, Untitled, 1973

Rodolfo Aricò's 1973 untitled work presents a compelling study in form, color, and surface. A striking lavender-hued trapezoidal shape dominates the composition, meticulously centered against a pristine white ground. The form itself is not uniformly flat but rendered with a subtle, granular texture, indicating the "mixed technique" employed. This tactile quality adds a layer of depth and visual intrigue, allowing the light to play across its surface. The larger shape is precisely bisected both horizontally and vertically by thin, dark lines, dividing it into four distinct quadrants, a testament to the artist's rigorous approach to geometric construction and spatial organization. The clean edges of the trapezoid and the precise internal divisions highlight a careful hand and a focused exploration of planar relationships. This work exemplifies Aricò's profound engagement with the principles of analytical painting and his persistent inquiry into the nature of the painted object. Rather than merely depicting, Aricò constructs, inviting viewers to consider the artwork as a physical presence and an autonomous structure. The choice of a singular, vibrant color, meticulously applied yet retaining a handmade quality, underscores his interest in the perceptual experience of color and its interaction with defined forms. The subtle variations in the paint's density, combined with the stark linearity of the grid, create a dynamic tension between the organic and the geometric, challenging conventional notions of illusionistic space. As a significant example from Aricò's output in the 1970s, a period marked by his deep exploration of form's psychological and spatial implications, this untitled piece offers collectors a quintessential representation of his mature style. Its intellectual rigor, coupled with its elegant aesthetic, makes it a powerful statement within the canon of post-war abstraction. The work's precise yet textured surface and its unwavering focus on fundamental visual elements resonate with the enduring concerns of minimalist and conceptual art, making it a valuable acquisition for any discerning collection.

Medium
Mixed technique on paper
Year
1973
Seen at
Martini Studio d'Arte

Related themes

Twentieth Century, Conceptual, Minimalist, Male Artist, Mixed Technique, Modernist, Shaped Canvas, Post War Art, Geometric Form, Italian Artist, Geometric Abstraction, Neutral Palette, Monochromatic, Grid, Textured Surface, Abstract, Painting, Analytical Painting, Lavender Purple, Planar Composition, Hard Edge

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