Sillman creates gestural, emotionally charged paintings that layer oil and acrylic with marks and drawn lines, producing surfaces of comparable visual complexity and rhythmic energy to Hughes's Berlin. Her invented, semi-abstract landscapes share the same vivid color intensity and neo-expressionist sensibility.

Schutz employs bold, turbulent brushwork and saturated color to construct imagined scenes that feel simultaneously dreamlike and viscerally alive, qualities directly parallel to Hughes's expressive invented landscapes. Her layered paint surfaces and dynamic compositions reflect the same neo-expressionist approach seen in Berlin.

Brown's densely layered oil paintings combine gestural mark making with swirling, immersive environments built from vibrant, energetic color, closely mirroring the charged atmospheric quality and material richness of Hughes's Berlin. Her work similarly blurs the boundary between figuration and abstraction within a lush, expressive painted surface.