Trockel similarly subverts the hierarchy between fine art and domestic craft by incorporating knitted and woven textiles into conceptual artworks that challenge gender politics and the gendering of labor. Her machine knitted canvases share Amer's strategy of using traditionally feminine textile techniques within the formal language of abstract painting.

Bourgeois powerfully fused sewing, embroidery, and fabric with fine art practice to explore feminist themes around the female body, desire, and domestic labor, directly paralleling Amer's subversive reclamation of needlework. Both artists deploy textile materials with an assertive psychological intensity that challenges conventional boundaries between craft and high art.

Reichek uses hand embroidery on canvas to critique the historical marginalization of needlework as a feminine domestic art form, making her practice conceptually and materially closest to Amer's approach in this specific piece. Her works similarly place embroidered thread in dialogue with painting conventions to interrogate gender and cultural representation.