Four gelatin silver prints capture an intimate visual dialogue between photographer Zoa and the legendary German artist Joseph Beuys, preserving a fleeting moment of artistic encounter on full photographic sheets. The works exist at the intersection of documentation and art-making, elevating the photograph itself as a primary medium rather than mere record. Beuys, known for his expansive philosophy of social sculpture, becomes both subject and collaborator within Zoa's lens-driven practice.