Gert and Uwe Tobias's coloured woodcut on paper seamlessly merges the dreamlike, monochrome depths of surrealist landscapes with the unsettling grimaces of apotropaic folk imagery. The figures that populate this work appear strangely stripped and exposed, caught between the breezy irreverence of cartoon illustration and the weathered rawness of graffiti scraped from a schoolyard wall. There is a haunting tension in their forms — peeled back, as though drained of personal identity, yet animated by an eerie, ritualistic energy that pulses through every carved line.