Estes is renowned for his hyper-realistic paintings that capture glossy, reflective surfaces with near-photographic precision, closely mirroring Minter's lustrous and tactile visual intensity. His obsessive attention to surface detail and the blurring of depicted versus real space directly echoes the qualities seen in this triptych.

Close shared Minter's commitment to photorealistic imagery printed and painted with bold color saturation and an extreme close-up focus on the human body, elevating intimate physical details into monumental, visually arresting works. His large-scale screenprints and use of grid-based techniques parallel Minter's meticulous printmaking approach.

Sherman's work similarly foregrounds the female body and domestic or intimate subject matter through a hyper-focused, photographic lens that transforms the everyday into something sensuous and conceptually charged. Her exploration of close-up figuration and the heightened visual language of contemporary femininity aligns closely with the mood and subject matter of this triptych.