Marville was a pioneering French documentary photographer who used albumen prints to record Parisian architectural and urban landscapes with the same serene, monochromatic precision that Atget brought to Versailles. His careful attention to sculptural and architectural details in outdoor settings mirrors the compositional sensibility of this vase photograph.

Evans worked in the same early modern photographic tradition, using silver and platinum printing processes to document architectural subjects with a reverent, quiet stillness that closely matches the mood of this Versailles image. His sensitivity to form, light, and the grandeur of constructed spaces aligns directly with Atget's treatment of the Cornu vase.

Le Secq was a French photographer known for his early calotype and albumen print documentation of French monuments, sculptures, and garden architecture, making his work a direct parallel to this Atget piece. His photographs share the same fusion of sculptural and landscape subjects rendered in tonal monochrome with a documentary yet aesthetically deliberate approach.