Morimura creates digitally manipulated self-portrait photography where he inserts his own face into iconic imagery using theatrical makeup and costume, directly paralleling Sherman's doll-like exaggerated features and identity play. Both artists use photographic artifice and digital alteration to deconstruct notions of self, representation, and cultural identity.

Linzy creates fantastical, campy self-representations featuring exaggerated personas, vibrant costuming, and whimsical character studies that mirror the pop surrealist and absurdist qualities of this twinkle nose portrait. His work shares Sherman's interest in constructed femininity, theatrical identity, and the playful destabilization of gender and self.

Cao Fei combines digital manipulation, fantastical visual elements like stars and dreamlike atmospheres, and constructed self-representation to explore identity and artifice, closely echoing the decorative surreal qualities and postmodern conceptual framing of this specific Sherman piece. Her work similarly blends pop culture aesthetics with feminist and conceptual art concerns.