A striking chromogenic print that channels the spirit of surrealist pioneer Claude Cahun, Sherman adopts her signature strategy of self-transformation to explore the fluid boundaries of identity, gender, and performance. Rendered on Kodak photo paper with full margins preserved, the work pays deliberate tribute to Cahun's radical self-portraiture while filtered through Sherman's own lens of constructed personas and cinematic artifice. The photograph exists at the intersection of homage and reinvention, inviting reflection on how identity is staged, borrowed, and reimagined across generations of feminist image-making.