A luminous field of deep dioxazine violet saturates the linen surface, its rich pigment dissolving into pale, ghostly traces where the paint has been partially removed with solvent. Innes's signature process of application and erasure creates a meditative tension between presence and absence, leaving behind a translucent veil that reveals the raw texture of the linen beneath. The work embodies the artist's ongoing investigation into the fundamental properties of paint, light, and material memory.