This geometric abstraction presents a dynamic composition of concentric black lines radiating outward from a central white void. The parallel strokes create an illusion of three dimensional space and movement, with the forms suggesting both a triangular aperture and a protruding or advancing plane. Schmidt's precise linear technique and high contrast palette exemplify the optical investigations central to 1960s geometric abstraction, wherein the interaction of line and negative space generates visual tension and perceptual ambiguity. The work reflects the artist's engagement with hard edge abstraction and kinetic visual effects, movements that prioritized pure formal relationships over representational content.