"Work #1912 (Mind Trap album cover)" by Martin Creed presents a compelling portrait, a vibrant interplay of gestural brushstrokes and found imagery. Executed in oil on a die-cut record jacket, the piece immediately engages the viewer with its striking, almost childlike depiction of a face. Bold swathes of blue, yellow, and red-orange paint form the contours of the head and abstract features, while meticulously cut-out eyes, rendered with photorealistic detail, are seamlessly integrated into the painted surface. This unexpected juxtaposition of raw, expressive painting and precise photographic elements creates a dynamic tension, inviting closer inspection of the artist's deliberate choices. The tactile quality of the oil paint, applied with varying degrees of impasto, lends a physical presence to the energetic composition. This particular work exemplifies Creed's distinctive approach to artmaking, where the ordinary is elevated and conventional boundaries are playfully challenged. Known for his diverse practice encompassing painting, sculpture, film, and music, Creed often numbers his works sequentially, emphasizing the ongoing nature of his creative output rather than individual titles. "Work #1912" serves a dual purpose, functioning as the cover for his "Mind Trap" album, thereby blurring the lines between fine art and commercial design, object and image, sound and sight. The choice of a record jacket as a canvas underscores Creed's interest in everyday materials and his democratic vision of art, making art accessible and part of the fabric of daily life while simultaneously transforming it into a unique, collectible item.