On Kawara similarly used systematic serialization and numbering as a conceptual framework, creating works like his Date Paintings that share Creed's minimalist rigor and the idea that the act of cataloguing itself becomes the artistic content.

Weiner's conceptual practice strips art down to its most essential linguistic and structural elements, mirroring Creed's systematic minimalism and his interest in dematerialized art objects that question what a work of art fundamentally needs to be.

Darboven created obsessive serialized and numbered systems of notation that parallel Creed's use of sequential numbering as a conceptual organizing principle, both artists treating the systematic accumulation of works as a meaningful artistic and philosophical statement.