Martin shares Tuttle's devotion to quiet, intimate mark making on paper using delicate pencil lines and subtle washes that evoke stillness and fragility. Her works on paper similarly explore minimal form with a meditative restraint and sensitivity to the expressive potential of understated gestures.

Twombly's drawings combine graphite marks and watercolor washes across fragile paper surfaces with the same spare, gestural intimacy found in this Tuttle piece. Both artists treat the support as an active participant in the composition, allowing thin washes and tentative lines to coexist in a quiet, poetic equilibrium.

Horn creates small scale works on paper that use subtle tonal variations and restrained mark making to achieve a deeply intimate and contemplative mood closely aligned with this Tuttle piece. Her sensitivity to modest materials and her postminimalist approach to drawing share the same quiet experimental spirit evident here.