Serra's monumental steel sculptures share Rondinone's commitment to large scale minimalist forms as public art that command physical presence and engage viewers through raw material weight and mass.

West similarly applied bold saturated colors to sculptural forms in public and gallery contexts, creating works where vivid painted surfaces transform simple stacked or assembled shapes into playful yet monumental objects.

McCracken combined minimalist geometric forms with intensely saturated single color surfaces, bridging sculpture and painting in a way that closely parallels Rondinone's use of vivid painted color applied directly to natural or fabricated materials.